Have you noticed that Premiere’s own 3-way color corrector has never been ported to After Effects? This is one consequence of the Premiere team’s choice not to use their own plug-in SDK. In the case of Premiere Pro, the slowness can be bad. On some systems this can make UI interaction for third-party effects with Custom UIs slow. They use window configurations and graphics drawing routines that third-party developers don’t have access to. However, you may also find that mouse interaction with the “Custom UIs” (the 3-Way and HSL color wheel controls) is sluggish.īoth Adobe Premiere Pro and Final Cut Pro bypass their own plug-in SDKs for their native 3-way color correctors. Depending on your project resolution and graphics hardware, you may see some pretty amazing performance, thanks to Adobe’s realtime Mercury Engine.

So I'm stuck in a position where I have to go between Windows Ink on and off to do various tasks within Premiere, and Wacom telling me that my best bet is to CONTACT MICROSOFT.If you’re considering Colorista II for use in Premiere Pro CS5, please download the demo first and try before you buy. However, when I do switch off Windows Ink, pen behaviour in Red Giant's Colorista is unusable - trying to move the colour wheels is uncontrollable. If I switch Windows Ink off, it performs as one would expect. If I drag a clip to the timeline for example, it will move to a place where I have not placed the cursor, lag behind my movement, then drop the clip in a seemingly random place. If I've got Windows Ink switched on in the Wacom Tablet Properties, then moving clips around in Adobe Premiere is problematic - with the behaviour wildly erratic, seemingly with a mind of its own. Intuos small, latest drivers, Windows 10 64 bit, up to date, latest Adobe Premiere and Red Giant Colorista.

I'm hoping someone else has had this issue as Wacom support has been almost completely useless.

Colorista adobe premiere